O my Luve's like a red, red rose,
That's newly sprung in June;
O my Luve's like the melodie
That's sweetly played in tune
As fair art thou, my bonie lass,
So deep in luve am I;
And I will love thee still, my Dear,
Till a' the seas gang dry.
Till a' the seas gang dry, my Dear
And the rocks melt wi' the sun;
O I will love thee still, my Dear
While the sands o' life shall run.
And fare thee well, my only Luve
And fare thee well, a while
And I will come again, my Luve,
Tho' it were ten thousand miles!
"His Love is no Pure, Pure Rose" by Brooke Anderson
O his Luve's no pure, pure rose,
(But) Perhaps dying for Fall;
O his Luve's no sweet song
(But) Perhaps doom and gloom for all.
With words, he claims to love me long
And withstand the testing tides;
Until the drying earth, he claims,
By me, he'll stay beside.
By me, he'll stay beside, he says
Apocalypse on the horizon;
His words mean nothing more,
than youth to the wizen.
And fare him well, from his Luve
And fare him well, for long;
In hopes of no return, my Luve
Together we don't belong.
intriguing inversion of Burns' poem! while a much darker take on the constant Luve portrayed by Burns, your Luve (perhaps) is more realistic. so i wonder how such realism might function alongside some of the more common idealisms of Romanticism. is this remodel, for example, serving to betray the corruptive/corrosive underpinnings of Luve in the same way Keats' "Isabella" might?
ReplyDeletegreat work!